“Fill your house with stacks of books, in all the crannies and all the nooks.” 

—Dr. Seuss

Why I Became an Editor

It was never a choosing. I didn’t dream of being an editor as a child. I just dreamt of working creatively and building things. I learned languages and traveled. I loved people. I loved books and magazines. And I loved food.

There was a spell where I dreamed of being an intrepid writer and editor for Saveur Magazine. I chiseled away at the door that is food media, but books, books, and more books fell into place around me and I found great joy there.

The edge-of-my seat phone calls where I waited patiently for an author to view—for the first time—the cover of their book. The many many keystrokes used to write “brilliant!” in the comments of a manuscript. Each and every moment I cried while reading a passage from an author’s work. To see others victorious, this is why I’m an editor.

I love what I do.

The amazing writers I’ve had the honor to champion have made me a better person and a better writer. I am indeed grateful.

The first manuscript I ever read was a handwritten chapter book my grandfather sent me—mailed a chapter at a time—when I was a dorky tween.

Manuscript Wish List

I look for middle grade novels (followed by YA).

I prefer stories written by BIPOC authors that feature BIPOC protagonists.

I’m open to stories written outside of the BIPOC umbrella, but will still favor work that lifts marginalized voices. 

For Indigenous stories, I prefer those set in modern day—or at least post 1950. Someday, I’ll find a non-stereotypical Native superhero, or an Indigenous explorer of deep space.

I immediately throw out an Indigenous story from my pile if it is not written by an Indigenous writer.

For Black and African American stories, I prefer those that feature innovative and aspirational tales, stories that celebrate Black joy and spark the imagination. I’m looking for stories where young Black kids can see themselves doing great things.

For other POC stories, I'm looking for work that does not lean on stereotypes, and is written with an authentic voice. 

As far as genre, I'm open to any type of fiction. No anthologies and no nonfiction please—at least not presently.

Finally, there are my own personal "loves." I love fun. I love stories that make me all warm and happy when I finish reading them—even if some parts were sad or hard. I tend to perk up especially if humor is used well. Humor can help society discuss and explore many difficult things in the world. Furthermore, I am a geek . . . truly. When stories geek out over food or science, I geek out right along with them. Wakanda forever. I think this is why I love MG or young YA. There tends to be hope, familial or community love and kindness, and imagination galore. 

A note to authors:

In my experience as an Indigenous person, I think sometimes BIPOC writers know that they are having to insert their stories into a predominantly White industry, and they tend to write with an imaginary white executive looking over their shoulder telling them what’s salable or appropriate. I encourage you to leave that behind and write freely.

Your voice matters.

DiversityInChildrensBooks2018_f_11x17.jpg

A Few Books I Worked to Bring Into the World . . .

Indian No More FrontCover .jpg

Indian No More

by Charlene Willing McManis with Traci Sorell

Editors' Choices for Books for Youth, Booklist
Best of the Best Books of 2019, Chicago Public Library
Starred review, School Library Journal
Starred review, Booklist
Best Books of 2019, American Indians in Children's Literature

Regina Petit's family has always been Umpqua, and living on the Grand Ronde reservation is all ten-year-old Regina has ever known. Her biggest worry is that Sasquatch may actually exist out in the forest. But when the federal government signs a bill into law that says Regina's tribe no longer exists, Regina becomes "Indian no more" overnight--even though she was given a number by the Bureau of Indian Affairs that counted her as Indian, even though she lives with her tribe and practices tribal customs, and even though her ancestors were Indian for countless generations.

With no good jobs available in Oregon, Regina's father signs the family up for the Indian Relocation program and moves them to Los Angeles. Regina finds a whole new world in her neighborhood on 58th Place. She's never met kids of other races, and they've never met a real Indian. For the first time in her life, Regina comes face to face with the viciousness of racism, personally and toward her new friends.

Meanwhile, her father believes that if he works hard, their family will be treated just like white Americans. But it's not that easy. It's 1957 during the Civil Rights Era. The family struggles without their tribal community and land. At least Regina has her grandmother, Chich, and her stories. At least they are all together.

In this moving middle-grade novel drawing upon Umpqua author Charlene Willing McManis's own tribal history, Regina must find out: Who is Regina Petit? Is she Indian? Is she American? And will she and her family ever be okay?

 

Julieta and the Diamond Enigma cover.jpg

Julieta and the Diamond Enigma

by Luisana Duarte Armendáriz

From the Mixed-Up Files of Mrs. Basil E. Frankweiler meets Merci Suarez in this smart young middle-grade mystery about a diamond gone missing from the Louvre and the sweet and spunky girl who cracks the case.

Nine-year-old Julieta is finally about to put a purple pin in her family's world traveling map! She's off to Paris to help her art-handler dad collect pieces for a new exhibit at the Boston Museum of Fine Arts. Sadly, they must leave Julieta's very pregnant mother behind, but they're sure they'll be back before the baby is born. Julieta sees the best of Paris: the Eiffel Tower, the Sacré-Coeur, and plenty of great art. But things go awry when she and Dad walk in on a thief stealing the Louvre's most prized piece--a priceless cursed diamond with a shady history. When Julieta runs for help, she accidentally frees the thief instead! Now Dad's job is in danger and he's become a suspect. Can Julieta determine who the thief really is before it's too late?
Winner of the Tu Books 2018 New Visions Award!

 

main_Black_Was_the_Ink_cover.jpg

Black Was the Ink

by Michelle Coles

Forgotten heroes still leave their mark.

Malcolm Williams hasn't been okay for a while. He's angry and despondent and feels like nothing good ever happens for teens like him in D.C. All he wants is to be left alone in his room for the summer to draw or play video games--but no such luck. With growing violence in his neighborhood, his mother ships him off to his father's family farm in Mississippi, and Malcolm is anything but pleased.

A few days after his arrival, his great-aunt tells him that the State is acquiring the farm to widen a highway. It's not news Malcolm is concerned about, but someone plans to make it his concern. One minute Malcolm is drawing in the farmhouse attic, and the next he's looking through the eyes of his ancestor Cedric Johnson in 1866.

As Cedric, Malcolm meets the real-life Black statesmen who fought for change during the Reconstruction era: Hiram Revels, Robert Smalls, and other leaders who made American history. But even after witnessing their bravery, Malcolm's faith in his own future remains shaky, particularly since he knows that the gains these statesmen made were almost immediately stripped away. If those great men couldn't completely succeed, why should he try?

Malcolm must decide which path to take. Can Cedric's experiences help him construct a better future? Or will he resign himself to resentments and defeat?

Perfect for fans of Jason Reynolds and Nic Stone, and featuring illustrations by upcoming artist, Justin Johnson, Black Was the Ink is a powerful coming-of-age story and an eye-opening exploration of an era that defined modern America.

 

main_The_Shadow_Prince_cover_1.jpg

The Shadow Prince

by David Anthony Durham

Five Deadly Tests, Only One Shadow Prince

Growing up as an orphan in a remote village in the Egyptian desert, Ash's life is pretty ordinary--sort of. He spends most of his time working in irrigation canals and avoiding bullies, but he is also being secretly trained by his mentor Yazen "for some great purpose." Yazen has never said what that is, until now: the night before Ash's twelfth birthday. According to Yazen, Ash was born on the same day as Prince Khufu, which makes him eligible to compete to be the prince's shadow, a lifelong confidante and bodyguard. Ash doesn't really believe Yazen, but when a floating royal barge, driven by solar-powered sails, arrives to take Ash and his mentor to the bustling, magical, and solar-powered capital, things get real.

What awaits Ash is deadly--five days of dangerous tests, each overseen by a different Egyptian god. Unfortunately, they've been told, not all will survive. On top of the tests, Ash is up against Set, the devious god of chaos, secretly working toward the candidates' demise. If they fail, a different prince will inherit the throne, one Set can manipulate for his evil schemes. Ash finds two friends willing to fight by his side, but he's been warned. Some candidates lie, cheat, and even try to harm others to win. Can Ash and his friends do what it takes to save the kingdom? And will there be anyone left to become the Shadow Prince?